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Fine Art Print by Charlie Dye

Currency:USD Category:Firearms & Military Start Price:75.00 USD Estimated At:150.00 - 350.00 USD
Fine Art Print by Charlie Dye
signed by his wife Mary Dye, depicting a indian encampment, Entitled "Pow Wow Encampment" from the collection of Mary Dye. Image size is 16-1/2" X 12". In wood frame with brown matting. Includes the book "Charlie Dye, One helluva western painter" by Paul Weaver. The print is pictured on page 5 of the book. Born in Canon City, Colorado, Charlie Dye became a painter of western genre inspired by the painting of Charles Russell. From childhood, he was a sketcher, but it wasn't until a horse fell on him that he considered art as a career. In the hospital recovering from his injuries, he saw reproductions of Russell's paintings in a magazine, and that exposure set his career of portraying the lives of cattlemen. Charlie Dye worked as a cowboy in Colorado, Arizona, and California until he was 21 and then enrolled in Chicago at the Art Institute and the American Academy. In 1936, he moved to New York City to work as a magazine illustrator and took lessons from Harvey Dunn, known as a great illustrator. He also worked with Felix Schmidt in a commercial studio. Dye was a successful illustrator in New York, doing assignments for Saturday Evening Post, Argosy, Outdoor Life and The American Weekly. However, a trip to California alerted him to how little quality Western art existed, and he soon began vacationing and painting in the West, finally establishing a studio in Denver, Colorado and becoming a partner in the Colorado Institute of Art. Because of the wide acceptance of his painting, he gave up teaching and illustrating and in 1960, moved to Sedona, Arizona, where he gained recognition for his oil paintings of western scenes. On June 23, 1965, he, Joe Beeler, John Hampton along with George Phippen, organized the organization we now call The Cowboy Artists of America. George Phippen was its first and Charlie Dye the second president. The group is devoted to the painting and sculpture tradition of Charles Russell and Frederic Remington, and began with artists who not only depicted cowboys but were working cowboys themselves.